Cazale, of course, holds near-mythic status among actors and cinephiles. After building a reputation in New York theater, he featured in an astonishing sequence of flawless films (The Godfather I and II, Dog Day Afternoon, The Conversation, and The Deer Hunter) before his early passing in 1978. As Sal in Dog Day, he was a exposed nerve, drenched in anxiety. He spoke sparingly, but while Sonny brimmed with bluster and bravado—winning over the public, hostages, and even some officers—Sal stood as a grim reminder of the lethal potential carried by their weapons and demands. Cazale projected this menace through a grim, unwavering gaze.
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